By the end of the course, students should be able to: Identify the cultural and historical backgrounds of twentieth century societies. Identify the various themes, techniques, and styles of writing related to the twentieth century novel. Explain how the novels reflect the cultural and social movements of the time. Recognize the writing style of each novelist in the course. Evaluate and critique the use of advanced literary elements, stylistic devices and techniques used in modern and postmodern novels. Outline the major characteristics of the main characters in the novels under study Demonstrate an ability to engage in research and advanced literary analysis. Demonstrate how social and political background impact the development of characters in each novel. Trace the development of themes tackled in the novels under study. Analyse the major literary techniques implemented in each novel. Write critical essays on the topics and issues discussed in class. Employ the acquired analytical and critical skills to the novels under study. Prepare oral presentations tackling cultural and historical background in addition to the development of themes and characters. Develop their written and oral communication skills. Express the ability to write literary appreciation of literary texts. Employ the acquired analytical skills in academic literary discussions.
- The Portrait of an Artist as a Young Man (1916) by James Joyce - The Driver’s Seat (1970) by Muriel Spark - Wise Children (1991) by Angela Carter
content serial | Description |
---|---|
1 | Orientation - Introduction to the modern novel |
2 | Introduction to the 20th century - Introduction to Modernism |
3 | Stream of Consciousness in James Joyce’s A Portrait of the Artist. - James Joyce’s A Portrait of the Artist. |
4 | James Joyce’s A Portrait of the Artist. |
5 | James Joyce’s A Portrait of the Artist. |
6 | James Joyce’s A Portrait of the Artist. |
7 | Application of modernism on the selected novel - 7th week exam |
8 | ntroduction to Postmodernism - Muriel Spark’s The Driver’s Seat. |
9 | Muriel Spark’s The Driver’s Seat. |
10 | Muriel Spark’s The Driver’s Seat. |
11 | Magical realism and Angela Carter’s Wise Children |
12 | 12th Week Exam 12th week presentations |
13 | Angela Carter’s Wise Children |
14 | Angela Carter’s Wise Children |
15 | Final Revision Q/A session |
Start your application